The 2-year-old girl was suspected of being poisoned by her relatives at the wedding banquet. Attending doctor: The recovery progress may be calculated on an annual basis.

Cctv news(Reporter Xu Yeqing and Dou Ruihua): On December 9, 2021, Xiaoman (a pseudonym), a 2-and-a-half-year-old girl from Liaocheng, Shandong Province, attended the wedding banquet in the village with her uncle, but she was suspected of being poisoned by her uncle. "I never imagined that he had poisoned the child on such a day." Xiaoman’s father said.

be poisoned

Xiaoman’s father told CCTV reporters that on the day of the wedding banquet, a 70-year-old man gave Xiaoman a candy. Shortly after Xiaoman ate, she developed symptoms of physical discomfort, and then the uncle took her home. After returning home, Xiaoman began to have symptoms such as convulsions and blue face, and then his family called 120 for medical treatment.

"We took a blood sample to Jinan for testing, and the results showed that the blood contained a lot ofTetramineComponents, the concentration reached 876ng/ml, the doctor said that this belongs to moderate and severe poisoning, and the situation is more critical. "Xiaoman’s father thinks that the child is only over two years old and it is impossible to find this kind of thing by himself. "We called the police when we didn’t feel normal."

Hospital diagnosis certificate (provided by the interviewee)

report to the police

After the alarm, the police accepted it, and Xiaoman’s father also got a notice of filing a case. He said that according to the police’s surveillance, an old man’s whereabouts were suspicious. After confirmation, the suspect was his own uncle, that is, Xiaoman’s uncle.

Receipt of acceptance of the case and notice of filing the case (provided by the respondent)

"It was characterized as intentional homicide. Now the suspect has been under the control of the police and has been detained. His family has also been seized." But Xiaoman’s father couldn’t figure out why people with relatives did this to his daughter.

Xiaoman’s father recalled that some time ago, because there was a water pipe installation project in the village that had to pass by the suspect’s door, he did not agree and unreasonably obstructed it. Then the child’s grandmother quarreled with the suspect. "In fact, it’s nothing more than a trivial matter. It doesn’t matter if you quarrel a few words. If adults have any problems, they can solve them face to face, but they can’t. We can go through legal procedures. But you have to attack a two-year-old child for no reason. This kind of thing is really unacceptable to us. "

It is understood that at present, the suspect has a negative attitude and has not actively contacted Xiaoman’s family. "In order to save the child, we should have spent almost 150,000 or 60,000, and he (the suspect) has never paid a penny." Xiaoman’s father said that this undoubtedly caused heavy losses to his family.

Daily hospitalization expenses (provided by respondents)

treat

Subsequently, the CCTV reporter got in touch with the attending doctor of Xiaoman’s current hospital. "I’m still in a coma, but my consciousness is better than before." Director Zhou of the Department of Rehabilitation Medicine of Shandong Provincial Hospital said that Xiaoman was transferred to the hospital only after New Year’s Day. At present, he is unconscious, his motor function of limbs has basically lost, and his swallowing function and speech function have not recovered yet.

Xiaoman is receiving treatment (provided by the interviewee)

"Even young people who eat a small dose of tetramine by mistake will cause great damage. Because the younger you are, the worse your tolerance to this drug will be, and the more serious the disease damage will be. " Director Zhou said that the follow-up treatment should first carry out wake-up treatment so that patients can wake up as soon as possible. "After waking up, restore her other functions, including speech and body movements."

Director Zhou suggested that if you eat drugs similar to tetramine by mistake, you should have gastric lavage at the first time, and then treat it symptomatically according to the specific condition, and then give the patient hyperbaric oxygen treatment, because tetramine mainly causes brain damage and causes ischemia and hypoxia in the brain. "So hyperbaric oxygen treatment is generally carried out to see if the brain function can be restored as much as possible."

recover

Xiaoman’s father said that when he first came to the provincial hospital for rehabilitation, Xiaoman’s hands and eyes could not move. Now his eyes can be opened gradually and his hands and feet can move. "The voice of crying was very small at first, and now the voice of crying is relatively loud."

Director Zhou said that although there is some progress in Xiaoman’s treatment, the progress of recovery is uncertain. "It may be a year, maybe a year, three years, five years or even longer."

Super typhoon level, how strong is it?

Original Fengyun Mengyuan Guoke

Recently, the typhoon Xuanlannuo, which came from the depths of the sea, trudged to the offshore area of China, and its strong intensity and changeable path attracted a lot of attention.

The Central Meteorological Observatory issued a typhoon blue warning for Xuanlannuo, and many places also launched emergency response against Taiwan.

As the first super typhoon this year, "Xuanlannuo" was so powerful that it even swallowed another "typhoon embryo" on the way.

Xuanlannuo swallowed the tropical depression below @ Central Meteorological Observatory/Weibo.

It may just be the moment when the vast Yun Qi wind falls, and it goes north alone during the abrupt change of circulation in summer and autumn, carrying the endless long summer behind it, and creating a thousand autumn winds in front of it.

This paper will briefly explain the current and future influence of "Xuanlannuo".

Too long to read the version

"Xuanlannuo" belongs to the stronger level in the super typhoon level;

This year’s typhoon came not too late, but so far the number is small;

There is a high probability that Xuanlannuo will not land in China, but it will have an impact on coastal areas, especially in the eastern coastal areas of Zhejiang Province.

The surging "Xuanlannuo" instant webpage of Sunflower No.8

Super typhoon level, how strong is it?

"Xuanlannuo" was generated on the afternoon of August 28th, upgraded to super typhoon in the early morning of the 30th, and weakened from super typhoon level to strong typhoon level at 5 o’clock on the 2nd. According to the latest forecast, it moved into the East China Sea on the 3rd, and its intensity will be enhanced to super typhoon level again.

According to China’s typhoon classification method, the super typhoon level is the highest level. "Xuanlannuo" even belongs to the stronger level in the super typhoon level.

The classification of typhoon in China is based on the maximum wind speed near the typhoon center (specifically, the 2-minute average continuous maximum wind speed). When the maximum wind speed near the center exceeds 51m/s (equivalent to 16 or above), it is the highest level of super typhoon level.

At 14: 00 on September 1, the maximum wind speed near the center of Xuanlannuo reached 65 m/s, which exceeded the upper limit of the extended Beaufort scale of 17, which was a strong level in the super typhoon scale. As can be seen from the following figure, although there are about six typhoons reaching the super typhoon level every year in the northwest Pacific, there are only one or two typhoons reaching the current intensity of Xuanlannuo on average every year, which is also the strongest typhoon in the northwest Pacific so far this year.

Typhoon intensity classification table in China and typhoon classification in 1949-2019, Central Meteorological Observatory

This year’s typhoon

Are you really late?

The first typhoon that landed in China this year was Typhoon Siam, which landed in Maoming on July 2, and it was not obviously late. However, the number of typhoons generated and landed in China this year is obviously less, and the landing sites are concentrated in the western part of Guangdong and Hainan, which has no obvious impact on the eastern and northern coasts of Guangdong, and further aggravates the impression that "typhoons come late".

So far this year, there have been 11 typhoons in the northwest Pacific, compared with an average of 14.1 from 1951 to 2010. There are three typhoons (tropical storms or stronger) landing in China, compared with about 4-5 in the same period from 1949 to 2019. It can be seen that the total number and level of typhoons are less.

The reason is the same as the biggest driver of the high temperature heat wave in the early summer in southern China, which is a significantly strong subtropical high.

As a system prevailing in a large area of downward flow, subtropical high not only caused a large range of blazing sunny and hot temperatures on land, but also shrouded the blue waves in the northwest Pacific Ocean. Under its control, it is difficult to have large-scale updraft and convective cloud activities in tropical waters, so it is difficult to have significant and sustained latent heat release of water vapor condensation and the development of near-surface low pressure, which seriously hinders the development mechanism of typhoons.

The geopotential height (isoline, unit gpm) in the middle troposphere (500hPa) and the anomaly value (color filling, unit gpm) from August 1 to 20. The red line 5880 surrounds the subtropical high range, and the accompanying positive anomaly represents the strong subtropical high.

Why is the subtropical high so strong this year? There are many specific reasons, but the most important one is related to the abnormal development of La Nina in spring and summer this year. Most La Nina events in history developed in the northern hemisphere in summer and autumn in the first year, peaked in winter, and then gradually declined in the spring of the second year. However, after the development of La Nina last autumn, it did not decay this spring, but further strengthened slightly, and reached its peak in May-June.

Monthly sea surface temperature anomalies in the monitoring area reflecting El Ni? o/La Ni? a events. It can be seen that the negative anomaly is still increasing this spring, which represents the abnormal development of La Nina event. What about the National Oceanic and Atmospheric Administration?

In general, the SST in the tropical Pacific is warm in the west and cold in the east. When La Ni? a event intensifies, the SST in the equatorial Middle East Pacific becomes lower, which causes the upper atmosphere to cool, contract and sink to form the ground high pressure. This enhanced pressure gradient in the east-west direction leads to the obvious enhancement of the trade winds crossing the tropical Pacific to the west. Strong trade winds induce an abnormal anticyclone to form on its north side, which is superimposed with the subtropical high, which is also an anticyclone in the middle and lower troposphere, so that the subtropical high is significantly enhanced.

Same as above, but it is the anomaly of sea surface temperature (coloring) and wind field in the lower troposphere (850hPA). It can be seen that the equatorial Pacific trade wind is obviously stronger (along the black arrow) and the subtropical high is stronger (marked by the blue circle).

"Xuan Lan Nuo" wants great bend?

Where is the typhoon going?

Judging from the current forecast, "Xuanlannuo" presents a V-shaped position. The sharp change of typhoon track is related to the sharp change of subtropical high intensity and other tropical cyclones around it. To answer this question more specifically, we must first understand some basic attributes of typhoons.

Typhoon is essentially a deep cyclone that develops in tropical and subtropical sea areas. In the weather system, some weather systems wider than it will provide airflow to guide it to move, which is the main driving force of typhoon movement. The subtropical high, which has the largest overlap with the typhoon activity area, has become the most important system.

Year after year, the subtropical high moves obviously with the seasonal changes, following the sun to the north in spring and summer, and returning to the south in autumn and winter to avoid the cold wind. Therefore, typhoons generally follow this rule-the path is southward in winter and spring, which may affect the Philippines, Vietnam and other places; The north in summer and autumn affects China, Japan, South Korea and other places.

Because the position and intensity of subtropical high also change obviously in the short term, the specific typhoon path will be different. In addition, there are other factors that affect the typhoon path, one of which is the mutual rotation effect when two typhoons coexist and are close together. At this time, two typhoons will move around their center of mass, and the smaller typhoon will be more affected.

An example of mutual rotation effect between Typhoon Sang Mei and Typhoon Baoxia in 2000. What wikimommons

The sharp turn of the current "Xuanlannuo" path is the result of the rapid change of subtropical high intensity and the mutual rotation effect. Previously, the subtropical high was strong, just like a wall across the north side of Xuanlannuo, which also provided a strong steering flow to the west, allowing the typhoon to move rapidly to the southwest and west. At present, the subtropical high is significantly weakened by the influence of the westerly trough system on the north side, and just "disconnected" into two single systems on the north side of Xuanlannuo, in which the steering flow provided by the east unit is northward, while the west unit is southward. Two kinds of steering flow saws make the typhoon obviously slow down and stay, just like being stuck in a quagmire.

500hPa weather map at 8: 00 Beijing time on September 1st. It can be seen that with the influence of the westerly trough (black circle) on the north side, the subtropical high is about to break into the west side monomer (red circle) and the east side monomer (blue circle), which makes Xuanlannuo (green circle) suddenly confused.

While wandering, a new tropical depression formed beside the southeast side of Xuanlannuo. Due to the great strength gap between the two sides, this tropical depression has been swallowed up by Xuanlannuo, but its residual cloud system still has obvious mutual rotation effect with Xuanlannuo, which provides Xuanlannuo with a steering flow that goes east first and then north. With the further weakening of the west subtropical high monomer in the next day or two, "Xuanlannuo" will eventually move to the north under the joint action of the east subtropical high monomer and the mutual rotation effect, and enter the East China Sea. Because the specific intensity of subtropical high and the degree of mutual rotation effect caused by tropical low residual circulation still have variability, it is still possible to adjust the path of Xuanlannuo in the future.

How will the typhoon affect our country?

To sum up, although there are still a few variables, there is a high probability that "Xuanlannuo" will not land in China, but will go north in the eastern coastal areas of China and eventually tend to the southern coastal areas of South Korea. And in the process of going northward, China’s coastal area is located in the relative "safety semicircle" on its west side, and the wind and rain intensity will be relatively small, and the overall impact on land will not be serious.

The superposition relationship between typhoon’s dangerous semicircle/safe semicircle and its own wind speed and moving speed. The author’s soul hand-painted

Even so, due to the significant expansion of the circulation scale of Xuanlannuo after the annexation of tropical depression, and the relatively slow weakening in the northward process, the strong typhoon will still be maintained to the super typhoon level, so the coastal areas such as eastern Taiwan Province, northeastern Fujian, Zhejiang coastal areas and Shanghai still need to pay attention to prevent the impact of wind and rain, among which Zhoushan Islands will be the most significantly affected; The offshore waters will be directly affected by typhoons and there will be violent storms. Offshore operators must return to Hong Kong to take shelter from the wind according to the early warning information.

I hope all the people affected by "Xuanlannuo" will be safe!

Author: Fengyun Mengyuan

Editor: Owl, Luna

Title source: Sunflower No.8 instant webpage

Read the original text

South Korea’s opposition parties and civic groups held a large-scale rally to protest against Fukushima’s nuclear pollution discharge into the sea.

  Xinhua News Agency, Seoul, August 26th (Reporter Lu Rui, Zhou Siyu) A number of opposition parties and civic groups, including the Common Democratic Party, the largest opposition party in South Korea, held a large-scale rally in the center of Seoul on the afternoon of 26th, strongly urging the Japanese government to cancel the decision to discharge Fukushima nuclear polluted water into the sea, and demanding that Yin Xiyue’s government take measures to prevent Fukushima nuclear polluted water from discharging into the sea.

  Thousands of South Koreans attended the rally, holding high slogans such as "Removing Fukushima nuclear polluted water from the sea" and "condemning Yin Xiyue’s regime", and shouting slogans such as "Japan should keep nuclear polluted water in its own country" and "condemning Yin Xiyue’s government, which speaks for Japan".

  Li Zaiming, the leader of the Common Democratic Party, said in a speech at the rally: "Japan has crossed an insurmountable boundary, which is a provocation to mankind and a declaration of war against countries along the Pacific Ocean." "In the past, Japan used to invade and kill with knives and guns for its own interests, and now it is trying to commit crimes that damage the environment in the Pacific again."

  Li Zaiming demanded that the Japanese government immediately stop discharging nuclear polluted water into the sea, which is harmful to the health and safety of all mankind, and apologized to South Korea for discharging nuclear polluted water into the sea. He also urged Yin Xiyue’s government not to be the "spokesman" of Japan, to fully perform its duty of protecting national life and safety, and to prevent Japan’s immoral nuclear pollution from discharging water into the sea.

  Kim Yong-fu, vice president of the National Federation of Fishermen’s Associations of Korea, said that the government should immediately take measures to completely ban the import of Japanese aquatic products so that Korean nationals can safely eat Korean aquatic products.

  On the evening of the same day, a "Busan Citizens’ Meeting to Prevent Fukushima Nuclear Contaminated Water from Discharging into the Sea" was held in front of Busan Railway Station Square in South Korea. Hundreds of Busan citizens attended the rally and asked Yin Xiyue’s government to take measures to prevent Japan from discharging nuclear contaminated water into the sea.

Protecting An Lan often activates the pulse of development-Jiujiang, Jiangxi Province explores the construction of a high-quality development highland in the Yangtze River Economic Belt

  Jiujiang, known as Xunyang in ancient times, is embedded in the banks of the Yangtze River and Poyang Lake, which is "the mouth of three rivers and the thoroughfare of seven provinces" and "the land of the world’s eyebrows".

  This famous historical and cultural city, which lives by water and thrives on water, is a combination of great rivers, great lakes and famous mountains. It has a coastline of 152 kilometers along the Yangtze River and two-thirds of Poyang Lake waters, and is also the only port city along the river in Jiangxi.

  In October 2023, General Secretary of the Supreme Leader came to Jiujiang City, Jiangxi Province for investigation and investigation. In the Jiujiang section of the Yangtze River National Cultural Park, the Supreme Leader General Secretary pointed out that the Yangtze River is the link of the Yangtze River Economic Belt. No matter how and at what stage the Yangtze River Economic Belt develops in the future, it is impossible to leave the feeding of the Yangtze River. We should proceed from the harmonious coexistence of man and nature, focus on the sustainable development of the Chinese nation, and protect the Yangtze River well.

  Keeping in mind the entrustment and striving for progress, Jiujiang thoroughly implements the concept of "jointly protecting and not developing", adheres to ecological priority and green development, explores new ways of coordinated development of economic development and ecological protection, cultural inheritance and industrial innovation, and draws a vivid picture of traditional culture and modern civilization.

  A few days ago, the Guangming Daily research group came to Jiujiang to feel the beauty of Jiujiang’s ecology, culture and industry, and to explore the vivid practice of harmonious coexistence between man and nature.

  Protecting a River Clear Water System and Harnessing the Yangtze River Shoreline

  At one time, Jiujiang also faced the problems of ecological degradation and river water pollution. Nowadays, the beautiful picture of "one river with clear water" reappears, and "there is a new scene along the river and people in Shuicheng are in harmony", which is behind Jiujiang’s unremitting efforts to promote the management and scientific protection of the Yangtze River shoreline system as a whole.

  Guarding the An Lan of the Yangtze River, in November, 2021, the emergency treatment project of bank collapse in Jiangxi section of the Yangtze River started construction. "After the implementation of this project, the bank slopes along the river bank and lake bank have been stabilized to avoid collapse and collapse, and together with the Yangtze River embankment, a complete flood control engineering system has been formed." Xu Yushan, deputy director of Jiujiang Water Resources Bureau, said.

  Walking by the river, pieces of concrete plants are firmly spliced together; Green grass emerges from the gabion net mat and extends into the water.

  "Planting water-resistant plants such as reeds and reeds on the hydrophilic platform not only enhances the stability and diversity of aquatic ecosystems, but also realizes the organic integration of engineering landscape, natural ecology and history and culture." Xu Yushan further said.

  Bank collapse control is only one of the projects of Yangtze River shoreline regulation. Jiujiang system has implemented the three-year protection work of the Yangtze River, with a total of 856 sewage outlets in the Yangtze River and 417 sewage outlets in key rivers and lakes, 74 illegal docks have been demolished, 37 chemical enterprises that have withdrawn from the river for 1 km have been closed down, and a multi-co-governance model for ship pollution prevention and control has been explored, achieving 100% unified reception, transshipment and disposal of domestic garbage, domestic sewage and oily sewage ashore. The Jiujiang section of the main stream of the Yangtze River has maintained Class II water quality for seven consecutive years.

  "Don’t let a drop of oil and sewage enter the river", and the research team came to Jiujiang Petrochemical, only to see that the sewage treatment in the factory area was green and intelligent, and the garden-style factory became more and more full of green; Outside the factory, the whole process of oil loading and unloading has been monitored in real time, and the Yangtze River ecology has been protected by green ports.

  Poyang Lake is the home of endangered species such as Yangtze finless porpoise, and also an important habitat for rare birds such as crane. In the past, due to overfishing and fishing, this ecological barrier was once fragile.

  The "subtraction" of the ten-year fishing ban has brought the "addition" of biodiversity. "In the past, fishermen got together and the river was covered with nets. Now the fishing boats are gone, and there are so many fish that you can see the waves they turned up." A fishery law enforcement officer in Jiujiang section of the Yangtze River said.

  The finless porpoise is not only the "indigenous people" of the Yangtze River, but also a witness to the ecological improvement of the Yangtze River. According to the data published in the Bulletin on Aquatic Biological Resources and Habitat in Jiangxi Province in 2023, the Yangtze finless porpoise was monitored for 24 times in Jiujiang section of the Yangtze River and 427 times in Poyang Lake. In addition, 61 species of indigenous fish were detected in Jiujiang section of the Yangtze River and 81 species of indigenous fish were detected in Poyang Lake, including the national second-class protected aquatic wild animal Myxocyprinus asiaticus and the Jiangxi provincial key protected wild animal Anoplophora longkistrodon.

  In order to continue to consolidate the results of the fishing ban, the local team of "fish guards" was established to explore diversified ways of changing jobs, and 12,022 fishermen who had been retired realized 100% job placement. Establish a multi-sectoral joint law enforcement mechanism to ban fishing, and form an integrated supervision mechanism of "civil air defense+technical defense+machine defense" to promote the 10-year ban on fishing from tackling key problems to lasting, and from palliative to permanent.

  Institutional innovation "insures" ecological protection. Jiujiang established an "ecological product value transformation center" and entrusted the foundation to manage the ecological restoration funds of environmental protection cases in the form of public trust; Continue to deepen the cooperation mechanism of "water administrative law enforcement+procuratorial public interest litigation+technical support"; Actively explore the trading mechanism of emission rights reserve, and promote the pilot project of emission rights reserve trading to "all factors, all fields, all industries and cross-regions". This year, Jiujiang expanded the pollutant categories of emission rights reserve from the original four to eight, and has sold 105 cases of emission rights totaling 40.8872 million yuan.

  An Lan in rivers and lakes, porpoises chasing waves, fishermen "going ashore" and exultation of fish … This is a vivid embodiment of Jiujiang’s practice of Lucid waters and lush mountains are invaluable assets’s concept.

  Promote the comprehensive transformation of industries, pursue green and new heights.

  Steel, petrochemical, building materials and other industries with high pollution and energy consumption once became a heavy burden for Jiujiang’s high-quality development. Jiujiang’s road to comprehensive green transformation has been laid out in an orderly manner with the determination of a strong man to break his wrist and the wisdom of technological empowerment.

  The complete set of aromatic hydrocarbon technology is a landmark technology representing the development level of petrochemical industry. In 2022, Jiujiang Petrochemical’s combined plant with an annual output of 890,000 tons of aromatics was put into operation, and the energy consumption was further reduced. With the promotion of the annual output of 1.5 million tons of aromatics and oil refining supporting transformation projects, it is expected to "rebuild a Jiujiang Petrochemical". "This is the key to promote the transformation and upgrading of’ refining and chemical integration’ and build a world-leading green intelligent refining and chemical enterprise." Chen Guangsheng, a staff member of Jiujiang Petrochemical Company, introduced.

  As a comprehensive pilot city for the optimization and upgrading of traditional industries in Jiangxi Province, Jiujiang has made every effort to promote traditional industries such as petrochemical, steel and building materials to pursue new, green and high. "Transformation is not a simple’ shutdown and turn’, but a completely new technological innovation." Ding Gefei, a four-level researcher of Jiujiang Bureau of Industry and Information Technology, told the research team.

  At the same time, in order to conform to the new round of scientific and technological revolution and industrial transformation trend, Jiujiang vigorously cultivates new industries such as new materials, new energy, electronic information and high-end equipment manufacturing, and preemptively lays out industrial tracks such as nuclear technology, low-altitude economy, hydrogen energy and artificial intelligence.

  Telford Technology, which started from Jiujiang, has been deeply involved in the field of electrolytic copper foil since 1985. With 40 years of technology accumulation and industrial chain layout in recent years, the company has built a complete technical system covering the cutting-edge directions such as ultra-thinning, high tensile strength and three-dimensional morphology, and has become a key participant in the global high-end copper foil market.

  A large number of emerging industries are "jointing and growing" in this land. Poyang Lake Ecological Science and Technology City, where rows of dark blue photovoltaic panels shine in the sun, is one of the leading photovoltaic glass production bases in the world. In Hukou Hi-tech Industrial Park, the production line of lithium-ion battery cathode material runs at high speed, and the products are continuously supplied to domestic and foreign new energy vehicle enterprises. In gongqingcheng city Digital Economy Industrial Park, young people come and go, and emerging industries such as software research and development and big data analysis gather here.

  How to give full play to the advantages of the "golden waterway" of the Yangtze River and help the overall green transformation?

  Overlooking the Jiujiang section of the Yangtze River from high altitude, Ruichang, Chengxi, Chengdong, Hukou and Pengze are lined up from west to east, and the big picture of the port development of "one port and five districts" is clear at a glance.

  On June 25th, the whistle of Hongguang Wharf in Jiujiang Port rang, and the waterway logistics products of "Ganhutong" were officially released and ushered in its maiden voyage, which was another achievement of deepening strategic coordination between Shanghai Port Group and Jiangxi Port Group. Huang Yaqi, head of the office of Jiujiang Port and Shipping Bureau, said that the product promises "one single system", "one price", "one vote settlement" and "one box to the end", which can cover more than 80% of Jiangxi, help enterprises reduce logistics costs by more than 20%, and achieve the goal of "inland ports and coastal areas have the same effect".

  At present, there are 19 international and domestic routes in Jiujiang Port, with an average monthly flight of over 300 voyages, covering 21 provinces and cities such as Jiangsu, Zhejiang, Shanghai and Sichuan, and 29 railway stations where water and rail combined transport starts. In the first half of 2025, Jiujiang Port completed a total cargo throughput of 116 million tons and a total of 472,200 TEUs of containers, both of which increased by more than 10% year-on-year.

  From "industrial rust belt" to "green show belt" and "innovative wisdom belt", Jiujiang, with the determination to burn the bridge, eliminated backward production capacity and cultivated emerging industries, and played an impassioned variation of comprehensive green transformation on the bank of the Yangtze River.

  Inheriting and Innovating the Yangtze River Culture through the Millennium Context

  To promote the high-quality development of the Yangtze River Economic Belt, ecological protection is the foundation, industrial development is the core driving force, and cultural inheritance is the soul and link.

  Walk into the Pipa Pavilion on the banks of Xunyang River, board a wooden ship, or stand at the bow to enjoy the modern light and shadow drama I was bidding a guest farewell, at night on the Xunyang River, or take a few steps forward to relive the classic scenes in Pipa Travel with the help of digital technology and Bai Juyi’s "moonlight interaction". The unusual "crossing" experience has made many tourists "plant grass". "To make traditional culture’ live’, we must increase the content of science and technology. In the evening, we also have a large-scale real-life light show "Xunmeng Pipa Pavilion", where visitors experience the dreamy beauty of Pipa Pavilion in an immersive way. " Zhang Tao, the operation manager of Xunyang River Cultural Tourism Scenic Area, said that Pipa Pavilion regularly holds activities such as folk music exhibitions, cultural lectures, poetry study tours, lotte fairs and so on, which has become an important window for spreading Jiujiang culture.

  Not far from Pipa Pavilion is Xunyang Building, whose architectural style is the style of folk restaurants in Song Dynasty. "Xunyang Building, with the theme of Water Margin, is a scenic spot integrating sightseeing, drinking tea, listening to books and catering." Zhang Tao introduced: "Look, we also arranged a special storyteller, which was well received by tourists."

  1 "pa", the storyteller Sang Jiaqing dressed in a long blue jacket, patted the awakening wood on the book case, and the noisy atmosphere immediately quieted down. The audience sat around the long table and listened to the tea. "I focused on the story of" Water Margin "in Jiujiang, and then combined with local customs to do some processing and talk about the life of the market. Everyone listened more cordially." Sang Jiaqing said.

  After the storytelling, the audience went upstairs and looked at the river view with satisfaction. Pipa Pavilion, Xunyanglou, Suojiang Tower, Xunyangjiang Cruise, 98 Flood Exhibition Hall … The Jiujiang section of the Yangtze River National Cultural Park has beaded them into a chain, which has become a leisure place for citizens and a punching place for tourists. Huang Qing, the person in charge of the Jiujiang urban section of the Yangtze River National Cultural Park, said that the third phase of this section will reproduce the development of Jiujiang’s important shipping terminals and old industrial bases through the creation of characteristic blocks, providing open distribution space for citizens and tourists, and realizing the transition from "not seeing the river near the river" to "being close to the water and being hydrophilic".

  On October 10th, 2024, Ruichang Tongling Copper Mine Site Museum, one of the key projects of the Yangtze River National Cultural Park, was completed and opened. The exhibition reappears the original appearance of the Shang and Zhou mines, restores the south-to-north copper transportation line, and shows the spectacular scene of the ancestors’ mining and smelting copper and gold road and tin line. "This is a large-scale mining and metallurgy site with the earliest discovery, the most complete preservation and the richest connotation in China. It is of great significance for exploring the source of raw materials for the highly developed bronze casting industry in China and studying the bronze history and metallurgical history of China." The commentator Chen Mengmeng said.

  The construction of the Yangtze River National Cultural Park has brought fire to Jiujiang’s urban tourism, which has changed the previous situation that tourists only know Lushan Mountain but don’t know Jiujiang. "Before the completion of the Yangtze River National Cultural Park, there were less than 600,000 tourists in scenic spots such as Pipa Pavilion and Xunyang Building; In less than two years after its completion, it has received more than 6.2 million tourists. " Wei Yakang, head of Xunyang River Scenic Area, said. Activities such as "Jia You Gan Chasing Xunxun Season", "Traveling Jiujiang with Textbooks" and "Going to Jiujiang in a Cool Summer" continued to advance, and "attracting visitors into Xunxun" achieved remarkable results.

  As night falls, the historical and cultural block of Dazhong Road is crowded with tourists, and diverse formats such as trend experience, e-sports animation and theme bars compete for generate here. "We hope that through the organic renewal of the city, the central city will be more dynamic, more attractive and more popular." Zhang Ning, secretary of Xunyang District Party Committee, said.

  As an immersive and experiential comedy integrating "drama+interaction+catering", Stealing the Heart Dinner has been widely loved by tourists. "We have integrated the Yangtze River culture into the drama, realizing the integration of tradition and modernity, and giving the audience a unique experience." Luo Bin, the head of the theater operator, said.

  In the first half of 2025, Jiujiang received a total of 52.5106 million domestic tourists, an increase of 11.96% year-on-year; Domestic tourism revenue was 65.319 billion yuan, up 11.99% year-on-year.

  Experience and enlightenment

  Jiujiang’s practical exploration is a vivid embodiment of keeping in mind the entrustment of the Supreme Leader General Secretary and unswervingly taking the road of ecological priority and green development. This enlightens us that to further promote the high-quality development of the Yangtze River Economic Belt and build a harmonious and symbiotic life community between man and nature, we must correctly handle several major relationships.

  Correctly handle the relationship between system promotion and key breakthroughs. Dealing with the relationship between system promotion and key breakthroughs is our valuable experience in planning reform and promoting development. To further promote the high-quality development of the Yangtze River Economic Belt, it is necessary to adhere to systematic promotion and form a joint force, but also to make precise breakthroughs in key areas and key links, so as to achieve the overall and local matching, the combination of tackling the root cause and treating the symptoms, the convergence of gradual progress and breakthrough, and realize the unity of systematic promotion and key breakthroughs. Therefore, it is necessary to establish a systematic thinking, always regard the Yangtze River as an organic whole, coordinate economic factors such as water, roads, ports, shores, production and cities, and ecological factors such as biology and wetlands, and systematically plan to further promote the high-quality development of the Yangtze River Economic Belt. At the same time, the areas along the Yangtze River should put their own development into the overall situation of high-quality development of the Yangtze River Economic Belt, and seek breakthroughs in key areas and key links such as ecological protection and restoration of the Yangtze River, green and low-carbon transformation, and regional synergy.

  Correctly handle the relationship between high-quality development and high-level protection. Development and protection are not "one-choice questions". To further promote the high-quality development of the Yangtze River Economic Belt, we must persist in making greater efforts in high-level protection, support high-quality development with high-quality ecological environment, and explore new ways to promote ecological priority and green development in coordination. Therefore, based on the integrity and systematicness of the Yangtze River basin ecosystem, we should implement the Yangtze River ecological protection and restoration project and build the ecological foundation for the sustainable development of the Yangtze River Economic Belt. Work together to reduce carbon, reduce pollution, expand green and grow, promote the overall green and low-carbon transformation of the economy and society, enhance the ecological "gold content" and develop "green content", and plant a green background for the high-quality development of the Yangtze River Economic Belt. Accelerate the improvement of Lucid waters and lush mountains are invaluable assets’s transformation mechanism, expand the pilot scope and field of ecological product value realization, establish a unified ecological product catalogue and evaluation mechanism, and transform ecological advantages into development advantages.

  Correctly handle the relationship between cultivating new kinetic energy and renewing old kinetic energy. Cultivating new kinetic energy and renewing old kinetic energy is a process of mutual promotion, and it is also the proper meaning of achieving high-quality development. It is necessary to keep a close eye on the new round of scientific and technological revolution and industrial transformation, promote the cultivation of new kinetic energy and update the old kinetic energy in a coordinated way, run a comprehensive green and low-carbon transformation through the whole process of further promoting the high-quality development of the Yangtze River Economic Belt, and promote the innovation of development mode and the transformation of development kinetic energy in the "common protection". Therefore, we should firmly grasp the "bull nose" of innovation, strengthen the layout of national strategic scientific and technological forces in the Yangtze River Economic Belt, speed up tackling key problems and break through a number of key core technologies, and promote the deep integration of scientific and technological innovation and industrial innovation. Adhere to the direction of intelligence, greening and integration, promote the green transformation and upgrading of traditional advantageous industries, promote the continuous growth of emerging industries, and lay out a number of future industries ahead of schedule. Unswervingly expand opening up, make overall plans to promote "hard connectivity" of infrastructure and "soft connectivity" of rules and mechanisms, accelerate the construction of a unified national market, and deepen the integration and docking with the "Belt and Road" construction.

  Correctly handle the relationship between integrity and innovation. Adhering to the unity of integrity and innovation is not only the experience summary and law revelation of socialist cultural construction, but also the basic criterion to promote the prosperity and development of culture in the new era. Practice shows that vigorously promoting the construction of the Yangtze River National Cultural Park, protecting, inheriting and promoting the Yangtze River culture have provided strong spiritual impetus and realistic creativity for further promoting the high-quality development of the Yangtze River Economic Belt. It is necessary to improve the integration and sharing mechanism of cultural relics and cultural heritage resources in the Yangtze River, and establish and improve a multi-level and cross-regional protection and cooperation mechanism. Study and formulate the map of the Yangtze River culture, deeply explore the value of the Yangtze River culture in the times, introduce more high-quality cultural products that meet the needs of the masses and reflect the Yangtze River culture, and tell the story of the Yangtze River well. Explore the deep integration of culture and science and technology in the Yangtze River, innovate new scenes and modes of cultural tourism consumption, promote the construction of yangtze river international golden tourism belt, and improve the quality and efficiency of the integration and development of cultural tourism in the Yangtze River. Promote the organic integration of Yangtze River culture, landscape culture and urban and rural construction, promote the pilot project of rural revitalization empowered by cultural industry, implement the action of urban renewal empowered by cultural tourism industry, and show the harmonious urban and rural landscape of mountains, rivers and people.

  (Members of the research team: Chen Yunping, Zhang Yihong, Chen Deming, Yu Yonghua, special researchers of Socialism with Chinese characteristics Theoretical System Research Center, Guangming Daily reporter Hu Xiaojun, Wang Yang, Li Yulan)

Performers in the United States: China Orchestra should bring good works abroad and don’t engage in hodgepodge.

  During the just-concluded tour of the National Grand Theatre Orchestra in the United States, the Concerto for Pipa and String Orchestra by American composer Lu Harrison, played by pipa player Wu Man in the United States, became a unique work that attracted attention during the tour. Although this work was created 20 years ago, Wu Man and Chicago Symphony Orchestra won the Grammy Award for Best Solo and Band for this work, and they have cooperated with foreign orchestras many times in the past, it is the first time to take this work to tour with China Orchestra. At the end of the tour with the Orchestra of the National Centre for the Performing Arts, Wu Man said in an interview: "There are many overseas performances by the China Orchestra, so it is necessary to bring good works out before they will be affected and concerned. What I am most afraid of is that all the works are left there like a hodgepodge."

  "Introduction to Pipa" written by Americans

  Beiqing Daily: What’s the feeling of playing this work?

  Wu Man: This work is very difficult, and all the pipa parts are monophonic. The most difficult thing is the single tone. How to make the single tone pop up makes people feel interesting. This is a special test. In fact, the score that Lou Harrison gave me when he wrote it was a single tone, and there were no pipa fingering on it. All fingering was designed by myself. This work can also play the flute, guitar and any musical instrument. He said, "This is for you. How can you play it like a pipa?"

  Beiqing Daily: What do Western audiences think of this work?

  Wu Man: From the western audience, I think it is a particularly good model for listening to Chinese musical instruments. Many audiences have never heard of the pipa. After listening to this song, he became interested and found it very interesting. Especially, there are few traditional music from other countries in the central United States performing there. Sometimes I perform with local orchestras, and the audience will say, "It’s very nice." Moreover, there are some beautiful passages with string plucking, so I think it is a very good work to introduce Chinese musical instruments. It’s a very fresh work for the audience in China, which is different from what China composers wrote and what they usually hear. In the past, we guessed that the Pipa Concerto was like that, which is the opposite. It’s actually a very interesting music language and a manifestation of the combination of two cultures.

  Take China’s works carefully.

  Beiqing Daily: What do you think of this tour with so many China works by the National Grand Theatre Orchestra?

  Wu Man: I think it’s particularly good. It’s particularly meaningful to bring the works of China composers, teachers Zhao Jiping and Chen Qigang. This is necessary. I was sitting in the audience, and my foreign friends around me, including the director of the New Jersey Symphony Orchestra, said it was a good work. Everyone has heard it, but this work has never been heard before. The style is very different from that of China’s works heard in the past. It is very different from Beethoven and modern and contemporary composers. There are elements of China in it. Many people ask me what those national percussion music are, and they think the sound is very special, bringing out elements of China opera. This work is particularly successful and mature.

  Beiqing Daily: Do you have any suggestions for China Orchestra to bring China’s works abroad?

  Wu Man: The suggestion is to bring good things out, and never bring bad things, because in the past, some orchestras took too many bad things abroad, which sometimes made people laugh and cry. Therefore, you must bring good things before you can really enter the level of communication. The so-called "good" is actually difficult to define, but you really have to think carefully about what kind of tracks you bring. I think it’s really been considered for a long time this time, and all the works brought out are works with some meaning in them. What I fear most is that all kinds of works are left there, like a hodgepodge. I think what China Orchestra brings abroad must have its own characteristics, whether it’s classical music or traditional folk bands, and it must have traditional and good things. I’m going to take the Shaanxi old tune out in March next year, and I’m going to tour 12 cities in the United States. Many concert halls need it, and if I want to bring it, I’ll bring it with me. In the past, some orchestras didn’t think about going abroad to perform their tracks, but they brought them here at sixes and sevens, and it didn’t matter if they found a place to perform, nor did the audience. It was a pity to find some China audiences to watch and do something for the sake of doing something, which wasted musicians’ talents and opportunities. If you really think about it, bring some good things.

  Text/Reporter Lun Bing Photography/Wang Xiaojing

Jiangsu standardizes the construction of roadside facilities in coordination with vehicles and roads in national highways.

Recently, Jiangsu issued the first technical guide for the construction and application of smart road-side facilities for ordinary roads (referred to as the "Guide"), aiming at guiding and standardizing the collaborative construction and efficient application of smart road-side facilities for ordinary national and provincial highways, and providing technical support for promoting the high-quality development of highway traffic.

This is an important achievement of the joint construction of party branches at the provincial, municipal and district levels in Jiangsu transportation system. Since 2021, the Party branch of Science and Technology Department of Jiangsu Provincial Department of Transportation has been paired with the first Party branch of Suzhou Municipal Bureau of Transportation and the third Party branch of Xiangcheng District Bureau of Transportation to jointly focus on the key work such as the construction of Xiangcheng Digital Transportation Demonstration Zone, and deeply integrate the party building with the business, forming a good situation of "Party building leading, demonstration first, automatic driving and vehicle-road collaborative industry digitalization accelerating development".

On the basis of summing up the experience of vehicle-road collaborative construction on smart roads, integrating advanced technologies and referring to existing standards, the Guide puts forward the specification requirements such as outfield facilities layer, support platform layer, application service layer and support guarantee layer, and integrates the classification standards and evaluation index system of vehicle-road collaborative construction on smart roads, scientifically formulates the indicators of vehicle-road collaborative construction, and solves the problems of systematic shortage in project implementation.

The Guide is verified by the projects of Suzhou Xiangcheng Intelligent Networked Road Phase III, National Highway 524, Provincial Highway 126, etc. Through the intelligent construction of roadside facilities, L2-class vehicles can achieve L4-class automatic driving ability with the help of road section awareness equipment.

Interview | For Wandering Earth 2, director Frant Gwo did it.


Special feature of 1905 film network "To commemorate the 80th anniversary of the publication of the Speech at Yan ‘an Forum on Literature and Art"

A series of interviews with literary and art workers in the new era,

Today’s dialogue film director.


In May 1942,

Comrade Mao Zedong presided over the Yan ‘an Forum on Literature and Art,

It is pointed out that literature and art are the fundamental direction of serving the broadest masses of the people.

 

Can get the recognition and support of the audience,

It is the highest goal of our literary and artistic creation.. "

Frant Gwo has a deep understanding of this.


"Because there were few sci-fi films in China at first,

The Wandering Earth can make some achievements,

It is directly related to the tolerance of the audience and their acceptance. "

Frant Gwo thanked the audience for giving The Wandering Earth a lot of encouragement.


In October 2014, General Secretary of the Supreme Leader presided over a symposium on literary and artistic work.

And delivered an important speech.

The general secretary puts "people’s nature" in the top priority.

Require "literary and art workers to achieve,

We must consciously breathe with the people, share our destiny, and be heart to heart. "

This provides a fundamental basis for the majority of film creators to follow.

Six months after the release of The Wandering Earth,

Frant Gwo and his team made a survey of the audience’s re-launch.

Re-understand the audience’s views on the shortcomings of the film and their expectations for the sequel.

 

Because at that time, the enthusiasm for watching movies dropped.

The audience’s evaluation of the film is more objective.

It is very helpful for the creation of the second episode..

What is the dissatisfaction of the audience in the first episode?

What do you want to see in the second episode,

Including themes, characters, storylines and even special effects,

Put forward many professional needs,

When we did the second episode, we became oriented and targeted. "



Literature and art are the clarion call for the progress of the times.

Best represents the style of an era,

It can best lead the atmosphere of an era.

The Wandering Earth recorded and reflected the progress of the times well.

The growth of the country.

Frant Gwo said that because the development of China’s space technology is strong enough,

Bring realistic support to the creation of science fiction films,

Movies can take shape.

In the process of film creation,

Frant Gwo has always insisted on telling the story of China.

Expression belongs to the spiritual core of Chinese.

 

"We went to the Industrial Light Magic to communicate,

They saw our story concept,

I almost read the story with a curiosity mentality.

Why is there something wrong with the sun, and you don’t want to run by yourself, but run with the earth?

At that moment, I realized that it was a very China expression.

Its root comes from our attachment to land and home.

The form and core of this theme is China’s,

This is China science fiction.. "


 

In the new historical period,

Literary and artistic work is facing new opportunities and challenges.

Literary and artistic creation also needs continuous innovation and development with a style that is more in line with the characteristics of the times.

 

In the process of production,

It is scheduled to be released on the first day of the New Year in 2023.



Frant Gwo revealed that,

We have a project with Beijing Film Academy to accumulate experience and lessons.

During the filming of Wandering Earth 2,

The school probably sent more than 20 interns to the crew.

What they do helps us to record our mistakes..

We must write down the mistakes we have made, and then we will sort them out.

Only in this way can we continue to accumulate these industrialized experiences.

In the end, let more students and more peers use it. "



For future creation, Guo Fanjian decided that literary and artistic creation should be the people’s policy.

Will pay more attention to the expectations of the audience,

And how to meet the expectations of the audience."


In order to survive, he invented a language

Director:

Screenwriter: Ilja Zofen/Wolfgang Kohlhaas

Starring: Navier Biskayat/

Type: plot of a play

Producer country/region: Russia/Germany/Belarus



The film Persian Class, released in 2020, tells the story of a Jewish youth who narrowly escaped death in a concentration camp during World War II. The film premiered in the special screening unit of the 70th Berlin International Film Festival, and was nominated for the Best Foreign Language Film in the 34th Golden Rooster Award of China and the Tiantan Award in the 10th Beijing International Film Festival.



A story inspired by real events


The protagonist in the film Persian class is a Jewish youth. He uses the names of the persecuted people in the concentration camp to fabricate a fake Persian, falsely claiming that he is a Persian who lives on thin ice in the concentration camp.


The film Persian class is adapted from the short story Inventing a Language, which is one of the most famous screenwriters in Germany — — Wolfgang Kohlhaas, after compiling many true stories.


Novel "Inventing a Language"


Wolfgang, born in Berlin in 1931, was accompanied by World War II throughout his adolescence. With the defeat of Germany, at the age of 16, he began to work as an editor in a magazine, and gradually got to know and reflect on this war. After he learned about many real events of the Jewish Holocaust, he wrote this novel.


Wolfgang Kohlhaas


The story in the novel is also presented in the film directed by the director.


In the film, stine, the Jew who manages finance for Schindler and German officers, corresponds to the real figure in history. In the Prasho concentration camp during the Second World War, Pan Bo was always used by the German officer Gert in the concentration camp to organize documents for him because of his excellent memory.


Stills of Schindler’s List


The road to survival filled with smoke


Giles, the hero of the film Farsi Class, survived in the concentration camp on the condition that he must teach German officers to learn Farsi within two years.


In fact, however, Gilles doesn’t know anything about Persian. He has to make up 40 Persian words out of thin air in 12 hours’ work. Without pen and paper, he can only remember these words by memory. In the inhuman concentration camp, he is equivalent to dancing on the tip of a knife, facing the threat of death at any time.


The fake Persian in the film was created by the film director vadim perelman and professional linguists. They extracted the names and birth dates from the real victims list, and created new words and grammatical rules, which closely linked the language with the victims in the refugee camps.


There are many examples of creating languages in literary works and movies. For example, john tolkien, the original author of the film series, invented elvish and dwarf languages based on Latin and inspired by Finnish and Greek. Or Klingon in the film series, the grammar comes from the North American Indian tribe, close to the Aztec language family, and a relatively perfect artificial language is constructed, and there are special teaching materials for fans to exchange and use.



Language talent behind Persian


The actor who plays the Jewish youth is Navier Biskayat. It can be said that without this actor, the play may not be filmed, because it requires a high language talent to play this role, and Neville happens to be a talented actor who can speak six languages.


Navier Biskayat


Born in Navel, Argentina, his mother tongue is Spanish. I learned French after filming for three months, and the script of the film Persian class was originally written in Russian, then translated into English, and finally translated into German that even the director himself could not speak. However, with his amazing memory, Navier not only remembered the lines, but also remembered 600 fake Persian words originally created by the director, which presented today’s story.


Let’s follow Neville into today’s best film — — Persian class, to see how the protagonist uses a new language and remembers a period of history.


This program is live.


In this Saturday’s edition of CCTV-6 movie channel "A Good Movie with a Date", the presenter Jiang Xiaohan will take you into the movie "Persian Class" and listen to the echoes from history with you. In the Sunday film review edition, Xie Yingling, the host, together with A Lang, film critic Zhuo Bieling and screenwriter Jin Yuxuan, will continue to interpret the drama arrangement and characterization in the film for you.


Welcome to this issue of CCTV-6 movie channel "A Good Movie with an Appointment".


Saturday, August thirteenth


22:22 Saturday Promotion Edition


22:31 Persian class


Sunday, August 14th


13:00 Persian class


15:00 Sunday Film Review Edition


How to Translate Words on Pictures by Huawei Mobile Phone [Tutorial]

  Many friends still don’t know how Huawei mobile phones translate words on pictures. Next, Xiaobian brings you an introduction to how to translate words on pictures, hoping to help you.

  How to translate English web pages with Huawei mobile phones

  1. First, find the smart assistant option in the settings, and click the smart screen recognition function to turn on the smart screen recognition function.

  2. After opening, press the screen with two fingers for two seconds, and you will enter the recognition interface. Click full-screen translation in the screen recognition interface, and the contents in the screen can be translated with one click.

  How does Huawei mobile phone translate the text on the picture?

  1. Camera — Set the button in the upper right corner — Select the translation function — Click to shoot at the area to be translated — Pictures, books and road signs can help you translate them. Although this function can help you translate quickly, all the translated words can’t be copied, so we can use quick character recognition to help you take photos for translation.

  2. Open this tool → Select photo recognition → Click on the area to be identified → Select the translation area and click Save → The words will be put forward → Then click Translate below to complete the translation → And it also supports translation in more than a dozen languages.

  PS: This tool can be found in the mobile phone application market.

  That’s all about the method of translating words on pictures. IT Encyclopedia provides you with the best browser tutorial and brings you the latest software information!

From "My First Half Life" to "Please Call Me Director", how does Huang Lan, the producer of explosion stories, achieve a new connection with the audience?

Author | Weinika

Editor | Li Chunhui

 

"It’s hard for her to run away from him and chase her," so that the audience can watch the last episode and continue the next episode, and they want to kiss after falling down. At first, Please Call Me Director was broadcast, but it was also mistaken for such a routine-after all, it was "900 million girls’ dream" starring Kenny Lin and "girl next door" Seven. But as the plot continues to advance,The audience’s presupposition was broken..

 

Ning Meng, the hostess, left Ba Zong Lu Ming and went all the way, growing from a secretary to director Ning; However, the bully Lu Ming has been constantly changed and cured by Ning Meng, and has become more and more concerned about others from a mean and vicious tongue.

 

As an urban emotional drama, please call me director is commendable: it not only allows us to see the growth of independent women, but also allows us to see the transformation of imperfect men, without ignoring the growth arc of any one character. It does make sense that it can eventually break the circle of young audiences, win over both ends of the network and Xian Yi, young and old, and gain reputation and popularity.

 

"Every time I do a play, I think more about whether I can join the understanding of life at this stage. If you only think about type elements and cater to a fixed audience, it will be easy to split. People who only love and don’t do business are also incomplete. " Huang Lan, the producer, told Hard Sugar Jun the starting point of her play.

 

This is the eighth urban emotional drama produced by Huang Lan. From The Man, My First Half Life to Please Call me Director, it has spanned nearly ten years.She can always identify the pulse of different times, gain insight into the pain points of modern women, and heal every female audience at the same time. It is always said that domestic urban emotional drama is the hardest hit area of suspension concentrate, but Huang Lan can always produce works with the same quality. What is her content password?

 

Jump type paradigm

Take care of reality from the perspective of characters

 

"A life with love, career and family influence is a three-dimensional and comprehensive life. We didn’t extract an element separately to make a selling point. " When Huang Lan talked about the creation of The Director, he didn’t intend to copy any kind of paradigm from the beginning.

 

According to Hard Sugar Jun, many film and television companies in the industry want to do urban emotional dramas with light comedies, but it is difficult to get rid of suspension and vulgarity at the creative level and give up. In Huang Lan’s view, the key to pry open this kind of urban emotional drama is to start from people and pay attention to the relationship between people and the self-growth of characters.

Perhaps as an ordinary audience, I think that making a sweet pet drama is nothing more than constantly "sprinkling sugar". Making an urban emotional drama is either a routine of Marisol or a mode of selling social anxiety, and many dramas are indeed true. Huang Lan, however, thinks that in the paradigms of sweet pet drama and urban emotional drama,What is really worth refining is the common law of human feelings behind it-the audience needs to feel happy and loved.That is, thinking about creation from the level of people’s emotional needs.

 

To create a vivid character, we should think that he/she is influenced by love, career, family and other aspects. When Ning Meng was a child, her father failed to start a business with unreliable investors, so she wanted to be a reliable investor and escort valuable entrepreneurs. Her optimistic personality also comes from such a loving family with harmonious parents.

 

Lu Mingming lost his mother from childhood and grew up under the strict education of his father, forming a mean character of lack of love. But it’s not that he doesn’t know it. He wants to change himself through hard work the day after tomorrow. One small detail is that Lu Mingming is reading Watzlawik’s Change.

 

On the surface, Lu Mingming and Ning Meng are a social status composition in which men are superior to women, but in fact, from the perspective of inner strength, women are stronger than men. Ning Meng’s inner strength is obviously stronger than that of the male master Lu Mingming, and eventually she is more and more successful in her career. In turn, she helped heal Lu Mingming, whose career was not smooth, and they formed a complementary relationship and established an ideal concept of equal love.

 

"The road you have traveled, the books you have read and the people you have loved make up your life." Huang Lan relayed this sentence from Zhang Ailing, which is also her creative principle to guide the construction of characters. Whether He Han talked about consulting industry in My First Half of Life or Lu Mingming talked about investment industry in Director, it all comes down to people’s problems and people’s art.

 

In Huang Lan’s view, 70% of every line and job we do is actually learning social psychology experience, and 30% is the professional characteristics and industry-specific laws.. Whether it is a producer, an investment bank or a consultant, any career evaluation project is inseparable from social psychology. Many times, TV drama content creation just pays too much attention to the characteristics of channel B, such as rhythm, network sense and so on, but ignores the psychology of audience C.

Producer Huang Lan (left) and director Yao Tingting (right)

 

"Tingting and I both pay more attention to the growth of characters." Huang Lan talked about the idea of co-creation with director Yao Tingting. Director Yao Tingting’s parents expected her to be a teacher or a civil servant, but she refused this stable life and stuck to her dream of directing. So far, she has directed many works such as In a hurry that year and I’ll wait for you at the end of time. From youthful love to urban workplace, she regards the creative process of different characters as the "introspection" of self-growth. Huang Lan, the producer, studied economics in Moscow for a master’s degree after graduating from Russian. Her curiosity about life drove her to take an active part in her study, work and life and experience it calmly. The two people who have a passion for exploring the unknown and a rich workplace also inject their own philosophy into the play.

 

For example, in the face of a boss like Lu Mingming who loses his temper, don’t take it seriously. When his temper is over, it is good to solve the problem in a practical way. This is taken care of by Ning Meng. Usually, when we are angered, we often don’t see the whole picture.

 

From My First Half Life to Please Call me Director.

Grasp the social symptoms of women

 

Huang Lan’s past ten works, whether ancient or modern, are mostly discussed by outsiders. At present, the creation of film and television dramas coincides with the trend of "her theme", and various dramas under the banner of women’s independent consciousness emerge one after another. Huang Lan is a pioneer who set foot in "her theme" ten years ago.

 

"From the past to the present, women’s consciousness has changed significantly." Huang Lan said,In fact, every work is aimed at the awakening of women’s consciousness in a specific society, more like the right medicine.

 

Tan Yunxian in Biography of the Female Doctor and Ru Yi in Ruyi’s Royal Love in the Palace were vague about women’s self-awareness at first, which was caused by the long-term shackles of ancient ethics.

 

Tan Yunxian was born in a medical family, but her career as a doctor was constantly suppressed by her father and society. At first, she obeyed many restrictions on women’s career as a doctor. Later, she defied rumors and resisted secular prejudice, and pioneered the establishment of a female medical system.

 

Under the inspiration of Lang Shining, Ru Yi realized the concept of "one couple for life", that is, the modern concept of "monogamy". In the end, Ru Yi experienced the process from love to separation in her "marriage" with the emperor, and she rebelled against the harem system by cutting her hair to represent her determination to "divorce". And different from other court plays, harem concubines are like authoritative guardians.In Ruyi’s Royal Love in the Palace, every woman around the emperor resisted to varying degrees.

 

The audience can see the social injustice to women from Biography of the Female Doctor and the Ruyi’s Royal Love in the Palace. At the same time, they can see that the heroines don’t just suffer from it without knowing it, but they stick to their principles by fighting. But when it comes to Luo Zijun in the urban emotional drama My First Half Life and Xia Bing in The Story of Hot Mom, the female consciousness is no longer vague, but it has undergone a change.

 

Luo Zijun was a rich wife who enjoyed happiness at first, and experienced changes in marriage. After divorce, she began to change and gradually grew into a self-reliant career woman. At first, Xia Bing was a female white-collar worker who didn’t know anything about the world and went her own way. After getting married and having children, in the conflict between her mother-in-law and her husband’s emotional changes, she gradually converged and found a balance between family life and the principle of self-care.

 

In "My First Half Life" and "The Story of Hot Mom", we can see that women’s roles leave marriage and enter the social adaptation process of marriage, and women’s focus is still on the balance between career and family.By 2022, when Ning Meng was in The Director, the female consciousness was completely unambiguous and unchanged. From the beginning, she got rid of the emotional bondage and made clear her career goals in life.

Huang Lan believes that Ning Meng has won the recognition of so many female audiences because she not only represents the image of 20+ young girls now-they are not bound by traditional concepts and have a more determined self; Let 30+ mature women project their ideal self-an ordinary girl with no background, and strive to pursue her goals in life and work, realizing a double harvest of career and love.

 

Huang Lan’s works have been infused with female consciousness in line with the background in different times, hitting the emotional point of social topics and grasping the common emotional needs of women of different ages. The female consciousness in film and television works is not to resist for the sake of resistance, but to extract the most representative behaviors based on careful observation of society and then inject them into creation.

 

There is a bridge in "Director" that is deeply impressed by Hard Sugar Jun. Ning Meng has been bringing tea and water to her boss, but Su Weiran, the second man, offered to pour water for her. It’s just like Sha, a housewife who has served her husband for a long time, is tied by another man, which implies that society is accustomed to women’s constant efforts and takes care of women’s feelings that need to be cared for.

 

Maintain a "heart-to-heart" with the audience.

 

In the eyes of the audience, TV series is an entertainment consumer product. From the perspective of the platform, TV series is a content product. As a producer, Huang Lan thinks that TV series is a "spiritual product".

 

"Hearts are connected" is the production goal that Huang Lan has been pursuing, and her own company is named after it. "Hearts are in harmony" means that she hopes to maintain a symbiotic and co-creation relationship with creators, producers, platforms and audiences. As a producer, she pursues the consensus with creators, producers and platforms, but at the same time, she does not forget the empathy with the audience.

Huang Lan didn’t want to stop here after trading a number of explosive urban emotions and costume dramas.She has a new cooperation with her old club, Xinli Media-the brand of "New Linxi" controlled by Xinli Media was established, and the name of the former company was changed from "Heart with Linxi" to "New".

 

"New" not only represents Xinli Media, but also represents an innovative spirit. Huang Lan wants to do something different with Xinli Media.

 

From the beginning of its establishment in 2007, in the past 15 years, Xinli Media has not been confined to a single track, and has produced one boutique drama after another in multiple drama types. In addition to the classic urban dramas "The Story of Hot Mom", "The Man" and "My First Half Life" mentioned above, there are also works adapted from serious literature, such as Parents’ Love and White Deer Plain. In terms of spy war dramas, Xinli used to have classic Kite and Cliff, and in recent two years, she also had Rebel with young voice and poetic aesthetics, and innovated the spy war work "The Wind Rises in Longxi". In the adaptation of male-frequency IP, Joy of Life’s "My Widow" and "Fighting the Mainland" succeeded in this year’s "Fierce Knife in the Snow", which broke the argument that male-frequency IP is dead.

 

Huang Lan believes that artistic creation is doomed to failure if it is only repeated. The audience who have studied film theory must remember the golden rule of Hollywood genre film research: genre creation follows the principle of "periodic change", that is, every once in a while, a new "main genre" becomes the mainstream. Because there are two characteristics of audience psychology: conservatism and variability, on the one hand, the audience is willing to get the same emotional satisfaction in the same type of paradigm. On the other hand, curiosity also drives the audience to pursue novelty. A type of repetition and follow-up production will always usher in the burnout period of the audience.

 

"Only by constantly pushing yourself forward." In Huang Lan’s view, creators should have such consciousness. Of course, the innovation represented by "going forward" will make the platform and audience feel insecure. The platform will question whether I can buy a new product, and the audience will also question whether I will waste my time and money when I buy a new product.

 

However, through years of experience in fighting side by side with Xinli Media, Huang Lan and Xinli proved themselves with one work after another. Next, the "New Linxi" brand not only has an explosive IP sequel, but also a juvenile costume drama different from previous works.

 

"There is no repetition in form, but the philosophy is the same." Huang Lan concluded that no matter in the past or at present, her tacit creative ideas with Xinli Media are based on observing people’s hearts, observing the relationship between people, recording the individual’s fate in the great era, and responding to the ever-changing theme with the unchanging ideas. The pursuit of "new spirit" is the return to people-oriented creation. In recent years, the channels of TV dramas have changed, the types of market mainstays have changed, and the mainstream aesthetics of the audience have changed. Only the human characteristics and emotional needs remain unchanged. Insight into people is the key to the audience of TV dramas.